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danyae11 Apr 2012Yeah right the whole s1 thing seems like a bit of a gimmick to me I wouldn't mind just changing it out to standard to be honest. Either way still stoked on the axe cant put it down.
bought an mxr supercomp today too... impulse buy went to get strings and it was half price pretty happy with it though.
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DeathMoth11 Apr 2012don't be afraid of the s1. good to have some versatility. i've not looked at which wiring configs it engages on a Tele, i've only seen what it does on a strat, and it's cool.
maybe there is some crazy ass wiring configs you can do that you can engage by the s1 knob, i'd definitely get one on mine if i could be assed.
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danyae11 Apr 2012Its same deal as on a strat. Im down for keeping it simple I havent played around with to much but only notice pretty minor differences with it.
What pups did you put in yours?
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danyae12 Apr 2012dloaded this thing called transcribe today you can slow shit down with out altering the pitch. Pretty sick been figuren out t bone licks all day
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david johntston12 Apr 2012fuck yeah that tele looks lovely
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DeathMoth12 Apr 2012yeh you won't notice as much difference in the sounds activated with the s1 on a tele because you only have three switching options anyway (in tradition tele 3 way switch wiring). the subtlety between the sounds is a good thing. huge sonic leaps between settings sound a bit whack. you'll find specific settings are heaps handy for particular styles. have a squiz on youtube for someone demoing s1 on a tele and see if there are any which stipulate examples of what each setting excels in and it might open up some ideas for you.
i got Joe Barden T-Styles in mine. noiseless, dual blade singles. super hot but still very tele-like.
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bonezy15 Apr 2012any into music editing? my mate bought an interface that came with pro tools but i dunno if i should try and download something like ableton instead of buying an interface relying on the software that it comes with....
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pandapanda15 Apr 2012are you talking about those m-box's? pro tools is the industry standard man and is a lot more suited to studio engineering than ableton, that being said though you will probably find using ableton a lot easier
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DeathMoth16 Apr 2012ProTools is "industry standard" but there's a shit tonne of successful studios not running Tools. they all do the same shit basically. it's your ears that do the mix.
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grimwood29 Apr 2012man that white tele is nice
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invisi30 Apr 2012dudes im in melb and i need a 5 string bass to use on friday so if you guys have one that i could borrow or know a place that hires them out (ive tried billy hyde and all that)
also looking to buy one
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shutdown19 May 2012why you selling your boss super overdrive????
Pretty much everyone needs one of those in their kit, either that or an ibanez tube screamer, the only two pedals out there that can add grunt to a tube amp without fucking the sound up.
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david johntston19 May 2012Ts808 all the way
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shutdown19 May 2012ya the O.G. 808 is goodz but the bowse super overdrive is on par.. Zack Wylde was one of the first to realise its merits when combined with the warm sounding but slightly under-grunted jcm800. Never forget the shame I felt when I got my first marshall stack, jcm900 with laney quad, saved most my life to buy it, took it round to my mates house who had the 800 stack with boss super overdrive pedal, and when playing them back to back he pretty much laughed at how shit the 900 sounded and I packed up my shame and went home...
Needless to say, i sold it to some bogan metalhead from maitland by demoing it with a metalzone pedal throght the clean channel and bought an 800 myself soon after.
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danyae19 May 2012I wanted to get the full tone ocd. Boss od works good but have to turn amp up to much to get the tone im after for a few Hendrix songs I've been learning and it's too loud for by bedroom even though my amp is 5 watts feels like its blowing my head off. Then I discovered amp has a half power switch so I've been using that which doesn't sound as good as full power but then I remind myself im just Fucking around in my bedroom. I've got a fuzz face in there now to which is good. 90% of the time I just fuck around over 12 bar jam track things and don't use any effects so I thought it was a waste of time owning them. I don't know anybody who plays guitar so they were kinda hard to sell.
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DeathMoth19 May 2012still selling my Line 6 M13. $400.
http://line6.com/m13/ seriously, excellent sounding delays, mods and verbs, simple to use, plenty of advanced routing and switching options. No lame amp sims like a Pod, just the stompbox models that are found in the smaller Line 6 stomp box modellers (the green delay DL4 etc).
$400 could get you maybe two shit sounding stomp boxes, or this. It's a fuckin bargain, and i need the cash, so some cunt just buy it for fucks sake
some footage of Thrice who've used these on guitar and bass over their last few albums and on tour.
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pandapanda19 May 2012are you still selling that rat?
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DeathMoth20 May 2012Negative. Simplifying my rig after leaving my band and the RAT is central to my simplified rig ;)
$400 for the M13 though, and it actually has a quite reasonable model of the RAT included ;)
Lots of winking going down
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david johntston20 May 2012Danyae ive got the fulltone ocd, so good
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danyae20 May 2012Yeh sick deff gonna be next pedal i buy Nearly bought it this morning but need skate shit instead, priorities
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DeathMoth27 May 2012H
Hank.23 June 2012Fuck that is nice
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Saul Silver26 June 2012Bump! Really looking to sell that Telecaster as soon as possible. Will take anything around the $350.00 mark and I'll throw in a gig bag
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grimwood26 June 2012man, that tele is nice. if i had any interest in guitars i'd buy it but i don't
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Saul Silver26 June 2012That's okay. I appreciate your nice comment